| August 2000 | ![]() |
Denis Poole offers his view with an english slant on all that's good in smooth jazz |
| Welcome to the August 2000 issue of Denis Pooles Secret Garden the page which offers a British perspective on all thats good, and not so good, in the world of smooth jazz. |
| Tony Windle - Right There | |||||
| What a few weeks. Boney James appears live in London, Dave Koz has his radio show syndication extended to Jazz FM in the UK and some great new music as well. Back in April The Secret Garden brought you news of Tony Windle and his then current release Unframed Window. An album full of promise and an unexpected but highly enjoyable excursion into film and television theme territory it certainly raised expectations for his next offering and now here it is. The album is titled Right There and there can be little doubt that the release signals a coming of age for the highly talented Windle.
The credentials of Windles work are further confirmed by the musicians that he can routinely attract to play with him. Unframed Window featured the sax playing of Eric Marienthal and the percussion of Mombo Hernandez. This time around Hernandez is back sounding as good as ever and Tony has come up trumps with the incorporation of Rippingtons collaborator Jeff Kashiwa. He appears as soon as track #1 4th Avenue as featured artist on a tune written by Windle recalling on a street where he lives. Good competent smooth jazz that has definite radio play potential. Talk of radio exposure is really not pie in the sky. Word must certainly be getting around with a track from the album due to be played in the UK on Jazz FM on 12 August. Based on what we usually expect from Tony Windle track #2 is something of a surprise but it works absolutely brilliantly. It is a smooth jazz reworking of Rod Tempertons Baby Be Mine from Michael Jacksons classic album Thriller. Greg Vail is featured on alto sax and without going over the top this could be the surprise smooth jazz hit of 2000. It sure deserves to be. Track #3 is another little gem from Windle, this time the first smooth jazz track he ever wrote way back in 1988. Nice guitar playing by Steve Giovenco and a gentle Latin feel makes this another good and competent piece of smooth jazz. Music to chill out by on a lazy Sunday afternoon. Track #4 and we are right back in film score land. Up Home is a truly haunting track fit to grace the weepiest of movies. The piece is taken from an inspirational idea surrounding a place on the coast owned by Mombo Hernandez and his wife Kim. If the place is as beautiful as the music then it must really be worth seeing. Suddenly we are seriously upbeat with track #5 Shuffle Shack that is described by Windle himself as fun. It is fun but is really driven along with some great sax playing by Scott Reams. Wind back the roof on the convertible; let the wind race through your hair and drive. Track #6 brings back Jeff Kashiwa as featured artist on the title track Right There while Track #7 brings us more theme music potential with Never Never Land and the sax playing of Greg Vail. Mombo Hernandez is handed the feature spot on the next track Shaker Kids, a catchy little number that again would sit beautifully as the theme to a TV series. A more serious approach to theme music comes with track #9 and My Dream. Easy paced and well produced it has Tony Windle written all over it. Tony explains that track #10 Campfire In The Mountains evokes the memories of thousands of kids who have enjoyed the truly American experience of summer camps. For those of us outside the US, for whom the concept of summer camps is a closed book, the feeling for the experience is left undoubtedly stronger for hearing this tune. On a purely musical level this again has outstanding theme tune potential. The eleventh and last track on the album Sunday Brunch recalls Tonys first exposure to smooth jazz as he waited on tables at a weekly smooth jazz Sunday brunch event. It inspired him to go with the flow of this special genre of music and, if this latest album is anything to go by, has rewarded fans of smooth jazz everywhere with a talent that will endure. For more information on Right There go to www.gosmooth.com |
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| Pacific Coast Highway | |||||
| In the world of smooth jazz can be found great performers and composers, cult DJs and sometimes people who just write about the stuff. However there is one guy who, as well as being knowledgeable in the extreme and a competent and influential DJ, has also got an undeniable talent for the unsung skill of album compilation. This person is Jazz FM DJ Steve Quirk and The Secret Garden bases this judgement on the major involvement that he has had with two very special projects. The first of these is the final chapter of a body of work that regular readers of The Secret Garden have come to know as an influential contribution to the growth of fusion and smooth jazz music in the UK. This of course is the series of CDs by Beechwood titled JazzFusions. Volumes 1, 2, and 3 have already been featured on these pages and the definite best of the series, JazzFusions 4, is up and coming in the September issue. Steve had offered feedback on the previous JazzFusions releases and when the time for JazzFusions 4 came around he was handed the job of selecting the tracks. The result was memorable and it was no surprise that when, in 2000, Jazz FM records introduced a series of CDs that were meant to go right to the heart of smooth jazz with tracks that were either hard to find, unreleased in the UK or that had been requested on the radio many times over, they turned to Steve Quirk to pull it together. The result of this endeavour is Pacific Coast Highway inviting you the listener, as the blurb says, to take a journey to the heart of smooth jazz. This is by no means the first excursion by Jazz FM records into the world of smooth jazz. Previous compilations such as Smooth Moods, Velvet, Smooth Moods 2 and The Soul Of Smooth Jazz volumes 1 have and 2 have all threatened to be great smooth jazz records without ever really succeeding. They have always fallen into the trap of veering too far toward adult contemporary without fully finding a truly smooth jazz groove. Thankfully, with this latest release, the spot has been well and truly hit.
Packed with great tracks from Al Jarreau, Brenda Russell, Stanley Clarke, Basia, Third Avenue, Dave McMurray, Avenue Blue, Club 1600 (featuring Maysa), Marc Antoine (not once but twice) and Roger Smith among others it is a real reviewers pleasure to pick out some of the personal favourites found therein. What to include and what to leave out, that is the question, but here goes anyway on this outstanding compilation. Starting with CD1 we find Van Morrison collaborator Candy Dulfer on track #3 with an excellent version of the Isley Brothers For The Love Of You. Secret Garden readers will remember the record as a Smooth Soul Survivor back in April of this year. This rendition by Dulfer is a memorable addition to the significant collection of choice covers of this all time smooth classic. Next up is Ever Changing Times by Aretha Franklin and featuring Michael McDonald. Although some would ague that this is an out and out soul track it certainly makes for fabulous listening. Track #4, 88 Ways To Love by Marcus Johnson could be held up to anyone new to smooth jazz as the definitive smooth jazz record. A truly memorable recording, it has every ingredient possible. An absolute knock out. Track #5 has Dave Koz on good form with Cant Let You Go. With just a little help from Luther Vandross this is vintage Koz. Trying to decide if track #9, Miles Away by Basia is really smooth jazz is not straightforward. Chances are that it is not but the warmth that flows from it certainly makes it a feel good track. More warmth and a feel good feeling follows with Paulinho Da Costa and African Sunrise. This time there is no doubt about the strong smooth jazz connections. Smooth jazz fans who just love TV cop shows could not fail to select track # 14, The Theme From Hill Street Blues by Mike Post and featuring current Fourplay guitarist Larry Carlton. It brings CD1 to a close and as you move into CD2 take heed of the classic line from the show and be careful out there. The second disc lacks nothing in quality when compared to the first. Its good to be able to select a track from an up and coming British smooth jazz artist and here it is with guitarist Chris Standring and a measure of Good Medicine. This guy is treading the footsteps of Peter White and is certainly someone to look out for. Next comes an absolute flood of stand out tracks. Steve Quirk has a knack for latching on to feel good sounds and here are some more. Light Of The World and the Latin laden Blue Sky Day will make you feel good all over while track #5 brings top notch sax playing and a great groove from the ever-reliable Richard Elliot with Moomba. Before The Secret Garden heard track #6, Saulsalito Calling by Carmelle Hinds it firmly believed that the greatest hot weather smooth groove ever just had to be Summer Madness by Kool And The Gang. There is no doubt that this Hinds track takes this particular sound to a whole new level. As the song says, 86 degrees, take it as you please, a certain kind of mellow. Wonderful. Track #8 finds smooth jazz superstar Boney James with Sweet Thing. Its well known to many and remains a truly great recording. Highway One by Steve Oliver on track #9 is another major helping of top quality smooth jazz while a really great cover is featured on Track #11. We heard Tony Windle doing it with Baby Be Mine and here we find Chuck Loeb doing more of the same with a brilliant reworking of a Rod Temperton composition that was previously handled by Michael Jackson. Its Rock With You from Chucks album Listen and given the added bonus of Walter Beasley on sax it doesnt get much better than this. Whereas many overlong compilations start to run out of steam in the final few tracks Steve Quirk has managed to keep it tight on the closing stretch. The guitar of Patrick Yandall offers up the soothing Nocturnal Maneuvers, Count Basic gives us yet another Secret Garden Smooth Soul Survivor with the Frankie Beverley classic Joy and Pain before Jimjam bring down the curtain with the super cool Olio. The second in this series of CDs from Jazz FM is out this week. Its titled Ocean Drive and given the quality of Pacific Coast Highway the new release has much to live up to. To find out if it does be sure to keep reading The Secret Garden. |
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Have you any comments on what you have found in this months Secret Garden or have you a favourite Smooth Soul Survivor that you would enjoy being featured in a future edition. If so please contact the Smooth Jazz Vibes Guest Book or e-mail me on DenisPoole@AOL.com
Added: 8/16/2000